Four of those days involved photographing lego with decidedly mixed results.
I realized I was outside my comfort zone shooting in harsh light, with rocks and sparse vegetation as my only textures. Photographing in the lush Pacific Northwest with its mossy rocks and dappled sunlight seems like a walk in the park by comparison.
But how in the world do I translate that to the macro world?
To learn from our mistakes?
To play outside our comfort zone?
He's an artist that continually challenges himself with different techniques and also challenges the viewer with his message.